Gal on a Cold Thatched Roof!

Dorset England is home to 12% of thatched-roof houses in England, a fairly significant concentration, so on my holiday road-trip around the UK, I bee-lined south-west. As a long-time enthusiast of British vernacular architecture, I’d devoured multiple books and articles on the subject but had never been up-close to a real thatched roof (dorky, I know).  I planned to take lots of pictures, perhaps stay in one or two and call it done… Little did I suspect what awesomeness awaited me.

As I pushed my way through frustratingly jam-packed town streets and harrowingly narrow country lanes on the wrong side of the road and the wrong side of the

car, I exhausted myself and sought out a thatched roofed inn I’d seen on the internet. It was miles deep into the country, and surprisingly hidden, and incredibly dark by the time I arrived. Getting to it actually took fjording  (see video) a fast running creek in my untested rental car of a make and model I’d never before heard.  Instead, I went the long way around.  I found the inn –called Langton Arms– nestled in a tiny village by the name of Tarrant Monkton.  Exasperated, a little hoarse, and worried there’d be no rooms, I wandered into the pub portion of the inn and found myself surrounded by a half-dozen father-aged men in pheasant hunting garb pleasantly downing ales and talking in a thick accent.  I begged a room, answered the gents’ friendly questions about my origin and ‘how the hell I found that place of all places’,  told them my new-found fear of Lorry Drivers (truck drivers there skirt past too close and too fast, with abandon) and settled into my room.

After tidying up, and gathering my wits, I wandered into the pub for a Scotch Whiskey and a chat.  Though I was hoping to sit at the bar to make merry with all the old-timers I’d previously entertained with my sass-itude, the bar maid motioned me to a wing chair in the dining area, close enough to view but not close enough to engage with the ‘regulars’.  It felt like I was being delegated to the ladies area by a pre-war rule of feminine modesty.  Nonetheless, sitting alone in my wingback chair with a glass of decent highland peat whiskey, I made do with my contrastingly boring phone and moderate wifi signal. Alas,  finally one of the gents, his curiosity getting the best of himself, came over to ask me my purpose in Dorset.  I said to him, “I’m from Hamilton Eavestrough repairs and here for the vernacular architecture in general and in Dorset for the thatched roofs specifically.”  He perked up and smiled, pointed to the men on the bar stools and said, “Well Tony over there is a Thatcher, you’re in luck.”

He called over to artsy looking fellow — pretty much exactly what I’d imagine a thatcher to look like, with a twizzly mustache and goatee and a neckerchief tied in a knot around his neck, a newsboy cap on his head.  My companion said, “Tony, this young lady is interested in thatching, you should come answer her questions.”  Tony came over and shook my hand and said, “Oh you have questions do you?” He sat down next to me and answered myriad questions and told me his life story — London Advertising Executive gives up 1970’s rat-race, moves family to Dorset and becomes Thatcher/Artist. So pretty much, this is the English version of Mad Men’s “Don Draper” AFTER he comes back down to earth, AWESOME.  He has a kind face and a dashing wit and puts on the Dorset dialect for my benefit, which I can only compare to that which I’ve heard in Thomas Hardy flicks via “Masterpiece Theater” but here’s a clip of poet William Barnes for your entertainment: Dorset Accent.  He insists on buying me a glass of his favorite Scotch whiskey (they don’t call it Scotch there, btw) and brightens up when the idea of inviting me down to his work site the next morning, hits him.  “We’re just working down the road, cross the ford and turn left at the main road, it’s just right there.”  “You drive across that creek, really..real-ly?” I exclaim in complete awe. “Aw, sure, it’s safe!” the WHOLE pub assures me.

The next morning I hurriedly scarf my meal, taking two pieces of  buttered toast and a few pieces of bacon and making a sandwich that I roll in a napkin. A drunken compatriot of Tony’s has told me that I should bring Tony a “bacon sandwich”.  I roll up to the job site, a little nervous. I’m suspect that my pocket-full of bread and bacon will be appreciated, but I proffer it to him anyway and he’s surprised and laughs and sets it on the dash of his truck.  It seems to break the ice. They’re happy to see me regardless of my paltry offerings.  Tony introduces me to his son Mark and another worker.  Then he walks me over to a grouping of bales of straw, wheaty-seed pods intact.  He tells me about the various straw they use, especially grown for them because of it’s unusual height or length.  Various regions use differing straws or water reeds based on what was available locally and what works best for the local climate.  He also shows me the hazel sticks they use, sharpened at each end and twisted and bent into staple or hair-pin shape and officially called “spars”. He gives me one to keep, and some straw too!

He then points to the two layers of scaffolding and asks me if I’m afraid of heights. My eyes open wide and I ask if he’s actually going to let me go up there and he of course says yes!! He teaches me the best way to climb the ladder and step onto scaffolding and we go up, where he then shows me another ladder going up to the ridge line of the roof and points to that. “We’re going ALL THE WAY UP?” But not before he stops to show me the old thatch layer, which is, with exception to the very ends, as sturdy in strength as the new stuff they’ll put on.  We climb up to the tippy-top of the roof where Tony’s son Mark is already standing and pounding spars into the ridge. They’re completing a new ridge which takes the brunt of the weather and need to be changed out more often, where as the some of the thatch underneath can be original. The explain to me the leading or ‘flashing’ as we call it and how it can be concrete but actual lead is preferable. I’m eating it up (well, not literally because lead is bad for you).

They show me the different styles of ridge-work, one that bends the reeds/straw over the ridge or one where two reeds meet, and how they batten it down with an artistic trim of hazel that can best be described and needlepoint or cross stitch, only in hazel!  They explain that they hand trim the decorative curves into varying patterns and how Tony has introduced several new designs into the area beyond the traditional clover, etc, just for variation.  I will later drive the neighborhood looking for his work.  They also create the roundness of the roof by trimming the thatch by hand with a blade. The idea makes my mind spin, and I decide if I ever quit selling real estate I want to be a Thatcher (but not Margaret).

Off the ladders and back on the ground, Tony breaks out the tools of his trade to show me, many of which he’s made by hand out of  English oak. Some of which are historic relics passed down to him by his predecessors and still hardy enough to use today.  They all have a purpose and though modern versions can be purchased, he prefers the original ones. He’s put several handles on that scythe-shaped piece. He’s a traditionalist and prefers that approach even when it comes down to substrate. No modern nailing into wood lathes for him, it’s all tamped down with hazel spars and steel reed pins.  According to skylights cleaning sydney thatching has been used as a roofing option from the bronze age, I’m more interested in traditional methods that modern ones.  I’ve met the right kind of thatchers for my taste, I ‘ave! (Pretend I said that in a Dorset accent).

As we finish, I egg him into taking a few cheesey pictures together and I can’t help but hug him, as this is one of those experiences of a life-time and I am over the moon in my nerdy way.  My geeked-out smile attests to the sheer joy and appreciation I am feeling. I am the gal who went to England and met a Thatcher — Gal on a Cold Thatched Roof.

A very special THANK YOU to Anthony Cottrell of Cottrell and Son Master Thatchers.  www.dorsetthatcher.co.uk

Alyssa Starelli, Broker
Living Room Realty
www.aly-star.com
503-888-1362
alyssa@livingroomre.com

Alyssa Starelli

Broker | OR

She/Her

A Portland native, Alyssa started her real estate career in the chaotic market of 2005, and quickly realized she reveled in matching particular clients with their perfect home, no matter how unusual. She then began specializing in mid-century properties - both Modern and Modest. More recently, she has included what she calls "Period-Perfect" homes to her repertoire. Her goal in this is to seek out those hard-to-find, unremodeled original homes of all eras. When I started in real estate, I realized there was a market for ranch homes, from Mid-Century Modern to the more modest Daylight Ranch, but few REALTORS® willing to service it. I started highlighting these 'Picks of the Week' on my website, introducing enthusiasts to the full gamut of midcentury houses of Portland. In 2006, I founded the Mid-Century Modern League in order to educate the public about the importance of preserving these gems. Today I continue to focus on Mid-Mod, but have added vintage, mostly unremodeled houses of earlier eras, which I call 'Period-Perfect', because they have interest to clients and are under-serviced too. Frankly, I enjoy seeking out any unusual or original elements a client might be interested in, it's a challenge to rise to." As Founder of the Mid-century Modern League, Alyssa is considered an authority in the local mid-century architecture scene, and is especially proud to include the Editors of Atomic Ranch Magazine in her past-client list. Often quoted in news and radio, she has been able to bring additional interest to her business, listings, and client's homes - many of which have been featured in magazines such as Atomic Ranch, Oregon Home, The Oregonian and also included on several local home tours. With a background in marketing, and an eye for the unique, Alyssa really enjoys buying and selling properties whose interesting features may be overlooked by other realtors, even (or especially) if those features aren't mentioned in the listing. As a hobby, Alyssa has issued herself a challenge to walk every residential street of Portland proper and document the best architecture specimens of each neighborhood. There are about 3500 square miles of Portland, and it's a big feat. By the time she finishes, she will have seen every house in Portland with her own eyes! You can follow her walks on her blog Portland-by-Foot. http://portlandbyfoot.blogspot.com/ When off duty, you can find Alyssa at estate sales, honky tonks, her friend's cattle ranch, or seeking out ghost towns, roadtripping to the Oregon high-desert. A music fanatic and semi-retired booker/manager, Alyssa is heavily immersed in the western swing, old-school country, and rockabilly music scene, and you'll often find her out at shows, dancing, maybe even sharing her favorites on the radio. Alyssa Starelli alyssa@livingroomre.com 503-888-1362 www.aly-star.com

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